Matthieu Binette

ARTIST'S STATEMENT

"My approach essentially revolves around minimalist movement. Long legs and arms better express the line and accentuate the emotion, the feeling of lightness created by molten metal. Making what is heavy fluid. Nature, textures, and beauty are my sources of inspiration. I want to represent these elements through each of my sculptures, in a recognizable, figurative context, to situate the person and the gaze."

CONTINUED BELOW

Moose - L'élan II

Bronze | 12" W × 14" H × 12" D

Horse - Equestrian Movement II

Bronze | 7" W × 16" H × 14" D

BIOGRAPHY

Matthieu Binette learned not to use an eraser. “Advice from my father, Berthin, who studied fine arts and was a teacher for 30 years.” Mistakes don't exist. Therefore, there's nothing to erase. Wise teaching indeed, since without this notion that breeds the fear of making mistakes, learning, imagination, and discovery are fostered. 

Born in Timmins, Ontario, in 1977, but raised in Sherbrooke, Matthieu is one of those on whom school has little impact. According to Ivan Illich, the state education system would, in any case, worsen what it is supposed to improve, since it “destroys or devalues ​​autonomous productive capacities”. “I developed my technique in school during French class with Liquid Paper.” Intended for correcting mistakes, and since mistakes don’t exist… he repurposed the famous correction fluid. Drop by drop, his miniature creations take shape, the liquid solidifying as it dries. 

At Cégep de Sherbrooke, in visual arts, aside from welding— as long as he wasn’t forced to weld two metal plates together and could melt steel drop by drop at will— he remained rather unfamiliar with other materials. He was then advised to learn artistic metalwork from Jean-Marc Tetro. Claude Hunot, from Rougemont, who combines sculpture and jewelry, introduced him to finishing techniques. 

“The form, the lines, the movement create themselves, half a centimeter at a time. I continue what takes shape, but always with lightness, a search for an airy effect, in contrast to the density of the metal.”

EDUCATION

1999-1997 

Visual Arts Degree, CÉGEP de Sherbrooke

2002-2000 

Studies with sculptor Claude Hunôt, Rougemont

2000-1999 

Specializes in artistic ironwork with sculptor Jean-Marc Tétro, Sherbrooke

EXHIBITIONS

2024

Jérémie St-Pierre et Matthieu Binette, Musée des beaux-arts de Sherbrooke, Sherbrooke, QC

2021

Téléphonexquis, Antoine-Sirois Art Gallery, Sherbrooke, QC

2011 

Chase Gallery, Beaconsfield

2009 

Salon du printemps, Fine Arts Museum, Sherbrooke

2009-2007 

Galerie Le Royer, Montreal

2009-2004 

Galerie des Artistes des Cantons, Magog

2009-2003 

LaNef, artist center, Sherbrooke

2007 FIMA, 

Festival international de Montréal en Art, Montreal Flora international, Montreal

2003-2002 

Symposium de Dudswell, Quebec

2002 

Rencontre X (10th edition), St-Jean-sur- Richelieu

2002-2000 

Salon des Métiers d’art du Québec, Sherbrooke

2001 

La Grande Virée Artistique (1st edition), Sherbrooke Galerie ArtAzo (solo exhibition), Sherbrooke

2000 

Art-Circuit (1st edition), Sherbrooke

ARTISTIC ACHIEVEMENTS

2009-2003 

President of the Board for the artist center LaNef, Sherbrooke

2008-2004 

Curator for LaNef, Sherbrooke 2006 Creation of a permanent installation outside LaNef

2006 

Artistic director for Jeunes Volontaires, Sherbrooke

2005 

Live sculpture show to profit the CHUS Foundation

2003 

Auction to benefit the Alzheimer Society, in collaboration with the Fine Arts Museum of Sherbrooke

2002 

Founder of the artist center LaNef, Sherbrooke